Tehran, YJC. Every Year the people of Iran celebrate the coming of the spring as the beginning of their new solar year. But how many truly know the many meanings behind the occasion?
In the Achaemenid era the Persian year was devided into to
periods. One was the summer which was seven months long. The other was the winter,
five months and five days long.

At that time
celebrations were held at the beginning of each one of these periods. There
were also symbols for each of these seasons. The lion was the symbol for the
summer, and the cow was the symbol for the winter. The two are sculptured on
the walls of the Persepolis engaged in fighting.

The fight is to represent the natural course of seasons. The triumph of the lion over the cow indicates the turn in nature toward the
summer.
The ritual slaughtering of cows in Mithraism which can also
be seen in Mithraic handicraft originates from the idea.

While separate figures of both the lion and the cow are
present in the Persepolis buildings, both those parts that still remain in
place and parts that are taken away to museums, the fighting scene is also
recurrent.
Based on the psychology of Carl Gustav Jung, the fighting
can be interpreted as a union of the two opposites, showing the ancient Persian
belief that when two opposites are reconciled completion occurs. The two
opposite sides of lion and cow, warmth and cold, summer and winter made up the
complete life that existed in the mind of the ancient Iranian.

The figure of the cow and lion in war is very much
reminiscent of the yang and yin symbol of East Asian mythologies.
Nowruz occupies a special place in the annual cycle perhaps
because it is the time when the presence of both sides is most discernible, and
perhaps also because the intermingling is the one that leads to an enlivening,
a rebirth of nature, an ultimate proof that the union of the opposites has
yielded to a full life that promises of verdure and prosperity.